The fourth version of the pageant involves an finish which, in its three days of celebration, has introduced collectively virtually 62,000 individuals
Residente needed everybody to have a “bastard” on the final day of the Babel River Competition. And for this he put all his energy this Saturday on the principle stage of the occasion, reaching an viewers dedicated to his rhymes, Latin rhythm and political and social discourse. Latin America then starred within the social gathering on the Caja Mágica in Madrid.
Some 17,000 individuals, in accordance with the group, loved the Puerto Rican live performance on the third and final day of the fourth version of the pageant, which as soon as once more stood out for its good administration of tickets and bars after the collapse on Friday because of the crowd of attendees.
This Saturday, Ciudad Jara and Muerdo opened round 5:00 p.m. the 9 hours of music that they offered on the occasion, accompanied by excessive temperatures. They did it earlier than a small variety of attendees, because the bulk started to reach on the place round 7:00 p.m., for rapper Rayden’s flip.
Together with his hymns from years in the past, comparable to ‘Matemática de la carne’, and his new songs, such because the Eurovision music ‘A la calle de la llorería’, the artist from Madrid and his musicians made variety of followers sing. His partying, shut and energetic formulation is a successful wager.
The afternoon continued with a mixture of reggae, dub, jazz, soul and even techno by New Zealanders Fats Freddy’s Drop, who introduced collectively a whole lot of individuals on the center stage of the pageant. Their applauded rhythms had been the right precedent for what was to return.
At 9:15 p.m., Residente arrived to social gathering and have enjoyable. With the solar setting within the background, René Perez opened his present with one in all his newest hits, session 49 of Bizarrap. He began sturdy and honest, declaring intentions.
I proceed in type with ‘Atrévete’, a music of songs by the group with which he reached the entire world, Calle 13, which he led till he determined to go solo. The viewers caught hearth and shook off the sweat, as this music says, and gave themselves completely.
“We’re going to have a good time as a result of that’s what residing is all about,” he inspired the attendees, to proceed with each solo and group songs. That’s how ‘La cumbia de los borados’, ‘El baile de los Pobres’ or ‘El aguante’ sounded, elevated by the forcefulness of the Puerto Rican rap and an amazing choral help.
CONDEMNATION OF SUFFERING AT THE BORDERS
By introducing ‘Pa’l norte’, he took the chance to defend migration and condemn the conditions suffered on the borders, an necessary allegation that inevitably dropped at the minds of the Spanish public the latest demise of twenty individuals within the leap to the Melilla fence.
“I put myself within the place of the dad and mom of the individuals who have been killed on the border and I don’t know what I might do with my life. We now have to place ourselves within the place of every one in all them and exit and reveal when these items occur,” he known as out to his viewers to cheers and applause.
After that, I proceed with ‘Fiesta de locos’, ‘Dying in Hawaii’ or ‘All over the world’. Together with his rhymes, Pérez is aware of learn how to lead the general public from baile to vindication and emotion, as he additionally did with ‘Latinoamérica’ and ‘This isn’t America’, songs with which he tells the story and denounces the miseries of Latin America, a area very current within the Babel River as might be seen by the multitude of flags of their international locations.
With the tropical rhythm of ‘Vamo’ to behave badly’, the winner of quite a few Latin Grammys stated goodbye to the stage, leaving the viewers wanting extra. “René, René, René” lots of them shouted as a result of they anticipated him to carry out ‘René’, one in all his most applauded final compositions.
When the top turned clear, the viewers rushed to the center stage to benefit from the German band Querbeat, whose musicians placed on fairly a celebration, even plunging right into a delighted crowd that clapped, jumped and screamed alongside them.
MOLOTOV AND ZOO IN THE CLOSING
Rock took over the pageant with the Mexicans Molotov, who already turned the principle stage the wrong way up at midnight. Between pogos and in steady motion, the attendees sang the successes of the group, many for its virtually 30 years of expertise. The band created a “good fucking vibe” with songs like ‘Mátate Teté’ and closed their live performance with the controversial ‘Puto’.
Already on the finish of the day, rap, rock and ska resounded with the Valencians Zoo, stunned earlier than a big viewers, though not as a lot because the heads of the day. Nevertheless, for them it was greater than a triumph, as a result of those that lasted till their flip knew what they had been going for: dance, jumps and steady improvised pogos. Thus, Madrid sang ‘Correfoc’, ‘Llespolies’, ‘Sereno’ or ‘Estiu’.
On the finish of the pageant, ‘Tobogan’ was performed, unleashing much more insanity among the many Valencian public, who had been grateful that the festivals wager on teams like theirs or that of the Galician Tanxugueiras, and identified their subsequent goal: they wish to fill the Wizink Middle in December.
Thus ended the fourth version of Río Babel, which, in its three days of celebration, has managed to assemble virtually 62,000 individuals, far exceeding the figures of earlier editions and ratifying its significance within the metropolis. Past music, its stage devoted to humor, Babel Comedy, has additionally been profitable, which was carried out this Saturday by Galder Varas, Daniel Pistola, Lalachus, Valeria Ros, Yuñez Chaib, Carmen Romero and Nacho García.